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        <title>1970s EIKI SLOT LOAD PROFESSIONAL 16mm FILM PROJECTOR PROMO FILM  XD83035</title>
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        <description>Help us preserve, scan and post more rare and endangered films on Patreon: https://www.patreon.com/PeriscopeFilm Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Website: www.PeriscopeFilm.com This film is a detailed promotional presentation for Eiki's line of professional 16mm projectors, celebrating the company’s 25-year anniversary in the industry. It introduces two main models: the new slot loader and the upgraded self-threading projector. The slot loader is praised for its lightweight design, ease of use, and film safety—requiring only a simple “S-curve” to thread, with features like automatic loop setting, built-in speakers, and modular construction. The self-threader, long popular among professionals, now includes reduced noise, interchangeable parts, multiple shutter options, and added features like freeze-frame, remote control, reverse playback, and support for large film reels. Both machines share a rugged internal build, easy maintenance, and a 3-year or 1,500-hour warranty. Demonstrations show the projectors handling even severely damaged film with ease. Eiki also offers a wide range of accessories and specialized projectors, including high-brightness Xenon models and auditorium systems, reinforcing its commitment to reliable, professional-grade projection equipment. 0:00 – Shots of a Hollywood movie premiere, John Wayne holding an Oscar and Kirk Douglas walking the red carpet. The narrator introduces the presentation as a look into show business history and celebrates the company’s 25-year anniversary of making top-tier 16mm projectors. 0:42 – The new Eiki slot loader projector is introduced, an improved self-threading model praised for converting professionals who previously avoided self-threaders. 1:16 – Key features of the slot loader: lightweight, compact, safer for film, easy “S-curve” threading, automatic loop setting, removable gate, built-in speaker, and multiple audio controls. 2:49 – Demonstration of the fast rewind capability, even mid-reel, without unthreading. Simplicity and reliability are emphasized. 3:30 – Introduction of the upgraded traditional self-threading Eiki projector, which now includes multiple modular options and less noise on film threading. 4:34 – Demonstration of self-threading on the upgraded model—simple insert and tug process. Easy access for cleaning and film removal is also shown. 5:24 – User walkthrough: how to thread the projector, starting with trimming the film. Emphasis on user-friendliness. 5:53 – Demonstration of the projector handling severely damaged film (torn, stapled, taped, crumpled) with no issues—thanks to the loop setter mechanism. 7:21 – Acknowledgment that some still prefer manual threading, which is also supported by the machine. Manual threading process shown. 7:39 – Summary of the two projectors' key differences. Both share the same reliable internal build and are covered by a 3-year or 1,500-hour warranty, with minimal fine print. 8:27 – Maintenance is minimal: modular construction allows easy part replacement with a screwdriver. Lamp replacement demonstrated as simple and fast. 9:18 – Additional features on the self-threader include remote control, freeze-frame, frame-by-frame advance, and reverse playback. 9:52 – Overview of Eiki’s broader product line, including lenses, accessories, and modules like the Mark 300 for auditorium use and endless loop playback. 10:20 – Introduction of a new longplay pedestal enabling 6,000 ft film runs, ideal for extended features or trade show usage. 10:32 – Highlight of Eiki’s Xenon projector line for high-brightness needs, including the lightweight EX300SL and other auditorium-scale projectors tailored to various projection environments. 10:57 – Final branding message: Eiki projectors are designed to keep the show going, reliably and professionally. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Source: https://www.youtube.com/watch?v=G7o9s5it4-w Mirrored from Periscope Film (https://www.youtube.com/@PeriscopeFilm)</description>
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