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        <title>" PHOTOGRAPHY FIGHTS " WWII PHOTOGRAPHIC INTERPRETATION UNIT    1944 WAR BOND FILM  77784</title>
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        <description>Created for the U.S. Navy by the Treasury Dept. as part of the 6th War Loan drive, "Photography Fights" is a docudrama that showcases the role of a naval photographic interpretation team in theater.  The film begins and ends with a "typical" American couple who openly doubt the value of photography in the war, and then shows an interpretation team working on the front lines at Guadalcanal in the Pacific. An aerial photograph is analyzed to reveal that Japanese troops are constructing an air strip on an adjacent island at Munda.  The film then suggests the destruction of the strip by showing scenes of aerial and naval bombardment. The film (according to a 1944 guide) "shows how under enemy action photographic crews work precious minutes getting and scanning pictures to search for signs of enemy emplacements and evidence of his movements. It shows what happens when well trained, discerning photographic interpreters can read from pictures shot by the crew."  Make sure to check out the pin-up calendars and other girlie images in the background of the interpretation unit's command post at the start of the film and at the 4:40 mark! 00:00 Home front: a conversation between a man and his wife, expressing their enjoyment of having the radio on. The wife mentions possibly getting a new stove, complains that their current stove isn't heating well enough to make pancakes. 1:10 - 2:00 : The discussion shifts to confusion about the location of Japanese-controlled islands, and a mention of Johnson's work in the South Pacific. The husbands expresses skepticism about photography's role in the war, joking about the person taking pictures for the military. 2:00 - 3:02 One person reflects on their past experiences taking photos with a brownie camera. Another mentions that Johnson is likely having fun, while they work in a factory. There’s a humorous exchange about a camera being more useful than a gun. 3:02 - 4:01 There’s some banter about work, and the conversation reveals that some photographs are being processed to confirm intelligence about enemy positions. Someone mentions their frustration with the delays in processing. 4:01 - 5:44 A shift in focus happens as photographs are finally analyzed. They identify an airstrip on an island, likely constructed by the enemy. Discussion includes the possibility of destroying the airstrip with naval action, but someone is still skeptical about the whole operation. 5:44 - 7:12 More humor and skepticism about the mission, with someone joking about trying to land a plane on a palm-tree-filled island. They continue to analyze the photographs, determining the likely presence of an airstrip, but some remain unconvinced. 7:12 - 8:33 The analysis continues, and they look at the photographs more closely. Someone confirms that the airstrip is indeed a man-made feature, further strengthening their suspicion that it's a Japanese installation. 8:33 - 10:35 There’s more discussion about interpreting the photographs and confirming the enemy's actions. The conversation turns to the role of photography and reconnaissance in the war effort, with someone expressing doubt about the Navy's need for such operations. 10:35 - 12:01 The film emphasizes the importance of photographic reconnaissance and interpretation in military strategy, demonstrating how a few photographs helped to destroy an enemy airfield and aid the mission at Guadalcanal. 12:01 - 13:19 : Commander Robert S. Quackenbush, Jr., the Director of Photography of the U.S. Navy, explains the broader impact of naval photography, its cost, and its importance in supporting victory. The importance of purchasing war bonds is stressed, as these funds support necessary military services, including photography, which helps save lives and bring victory. Commander Robert S.  Quackenbush was one of the top people responsible for the establishment of a Navy school for photographic interpretation, just before WWII.  He was inspired by a trip to England in 1941, where he observed how the British were using photographic reconnaissance to great effect.  The first American school was at the U.S. Naval Air Station, Anacostia, D.C. Motion picture films don't last forever; many have already been lost or destroyed. We collect, scan and preserve 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have films you'd like to have scanned or donate to Periscope Film, we'd love to hear from you. Contact us via the link below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com Source: https://www.youtube.com/watch?v=6DAx73wHux4 Mirrored from Periscope Film (https://www.youtube.com/@PeriscopeFilm)</description>
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