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        <title>“TRINIDAD &amp; TOBAGO” 1964 BRITISH PETROLEUM (BP) FILMS  TRAVELOGUE &amp; OIL COMPANY PROMO XD60224</title>
        <link>https://peertube.dngr.us/videos/watch/7fe4c201-336b-4c4c-bfe0-de49113ac4cf</link>
        <description>Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com Geoffrey Jones (Films) produced this color travelogue for British Petroleum (BP). Directed by Jones, a renowned British short filmmaker who made films for both BP and Shell Oil’s film units, “Trinidad &amp; Tobago” relies on thematic montage sequences to showcase a wide sampling of life on the islands. It's no surprise that BP produced a film about the island, as Trinidad and Tobago produces almost 98K barrels per day of oil (2016) ranking as the 50th most productive site in the world, and the largest oil and natural gas producer in the Caribbean. BPTT remains Trinidad and Tobago’s largest hydrocarbon producer, accounting for more than half of the country’s national production of oil and gas. Opens with sunset montage: swaying palms trees, silhouetted people at harbor, palm grove (00:06). River montage: still water; reflections of trees; wading bird; fish jumping (00:36). Beach montage: lines of breakers; blowing palms, long crescent beach (00:53). A small farm amid mountainous jungle (01:10). Plant montage: Aechmea Aquilega, Cecropia Peltata (01:15). Bird montage: tropical mockingbird, motmot, bananaquit, antshrike, possibly a solitary cacique, thrush, blue-gray tanager, black-throated mango (01:33). Man throwing a fishing net into the water from a small boat with outboard motor (02:38). Pelicans flying and diving into the water (02:53). A hut at the end of a long pier, extending off a sandy crescent beach ringed by palm trees (03:35). Montage of building exteriors: wooden, stilted beach huts with grass and sheet metal roofs, plaster and stucco-walled, ground-level houses, closeups of window shutters and curtains, two-level homes with turrets and eaves, a large stone building with a tower (possibly a school), a mansion with second floor balconies, a midcentury building with large glass panes, modern apartment blocks with exterior spiral staircases (03:42). Houses of worship montage: a one-room wooden church, a larger church stilted on concrete blocks, church interior, mosques (04:08). Agricultural montage: men shoveling and crushing cacao beans with their feet, slicing open cacao pods, fruit pickers in trees, sacks of produce carried on heads, laborer using a watering can, cows being groomed by birds in a field (04:33). Boys playing cricket in a field (05:31). Hindu temple, numerous shots of statues and murals (05:38). Sugar cane montage: workers harvesting sugar cane with machetes; yoked oxen carrying loads of cane; huge load of cane transported in  a truck; sugar cane in rail freight cars (06:08). Automobile montage: mid-1950s sedans (probably Fords), cyclist on a racing bicycle, medium duty trucks (possibly Bedfords), Lambretta scooter, Solo soda delivery truck, heavy duty truck carrying earthmover, passenger bus, an open-bed BP truck (07:04) Street market montage: fishmongers, produce being weighed and haggled over, live chickens being carried, a stray dog trots, spokes of spinning horse-drawn cartwheels, man tossing fish out of a rowboat (07:35) Smiling children dancing in a circle (09:35). Cricket bowler and batter in a field (09:48). Steam locomotive pushing freight cars begins industrial montage: oil derricks, pumps, tractors, pipelines, BP worker in hardhat monitoring an oil well, oil drills spinning, petroleum rail tankers, sugar cane harvesting and threshing, sugar cane juice extraction, controlled burns of cane fields, seamstresses working at sewing machine, thread spooling, Red Solo soda production line, soda bottles in wooden crates being stacked, wooden barrels being rolled, earth mover digging a foundation or well, (09:54). Lengthy Carnival parade montage, mostly close-ups of peoples’ faces: the streets are full of men and women in bright costumes, elaborate headdresses, paper mâché masks, animal costumes (bat, lion, chicken), skull headpieces, clowns, steel drums playing calypso, choreographed group dancing, flag spinners, uniformed police and soldier dancing, wide crowd shot of horseback police, brass bands, a TTT film cameraman (13:06). End (18:13). Composer Daphne Oram provided the soundtrack for this film. Father and son cinematographers Peter and Wolfgang (Wolf) Suschitzky shot the film.  Full credits: Geoffrey Jones, Roy Ayton, Daphne Dram, Wolf &amp; Peter Suschitzky, Leo Bennett, Eulelie Codallo This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Source: https://www.youtube.com/watch?v=VWKK7IaLG7w Mirrored from Periscope Film (https://www.youtube.com/@PeriscopeFilm)</description>
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