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        <title>"HAWAII CALLS"  1963 HAWAIIAN MUSICAL TV SHOW w/ WEBLEY EDWARDS   "LOVELY HULA HANDS GG48295</title>
        <link>https://peertube.dngr.us/videos/watch/9483a7a0-1dea-4871-a718-88a367713143</link>
        <description>Help us preserve, scan and post more rare and endangered films on Patreon: https://www.patreon.com/PeriscopeFilm Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Hosted by Webley Edwards, who produced a series of albums for Capitol Records, this vibrant Hawaiian program "Hawaii Calls" (1963) blends music, humor, and culture into a lively showcase of island life. It features the Hawaiian Wedding Song (Ed Kenny &amp; Marlene Sai), Lovely Hula Hands (Manu &amp; Donna Butterworth) and Beyond the Reef (Haunani Kahalewai). The show opens with introductions to Hawaiian words and traditions before launching into a series of musical performances—from playful hula songs and comedic numbers like Hilo Hattie’s tale of a confused mayor, to romantic ballads about lost love, the sea, and paradise. Ed Kenny and other performers sing classics such as “Sweet Leilani” and “Follow Me,” while dancers like Lonnie bring grace to traditional hula. There's humor in Hawaii’s statehood celebration, nostalgic reflections on education abroad, and a charming musical travelogue around Oahu. The show closes with an uplifting message about dreams and happiness, ending on a heartfelt rendition of “Aloha Oe” as a farewell until the next episode. This episode was directed by William Bennington, written by Sam Pierce, produced by Howard Ross, photographed by Robert Tobey. (Note: Hawaii Calls was also the name of a radio program broadcast live from Waikiki Beach from 1935 through 1975. It was hosted by Webley Edwards for almost the entire run.) 0:00 – Introduction with Hawaiian music and brief explanations of Hawaiian words like “wikiwiki” and “how.” 0:38 – Hanani performs an upbeat Hawaiian song for the “white tea in-crowd.” 2:02 – A humorous, high-energy hula song encourages everyone to try it and shake around the island. 3:19 – Transition to a romantic narrative about the sea calling a sailor back, followed by the song "The Bamboo is Bending." 6:46 – Introduction to Hilo Hattie’s comedic song about a mixed-up mayor on Molokai Island. 7:07 – Performance of the song about the mayor wearing a malo and coconut hat, riding a slow horse, and causing island-wide laughter. 8:56 – Introduction to the rare and colorful "birds of paradise" in Hawaii, leading into a musical tribute to their beauty. 11:47 – Romanticized portrayal of the carefree life of a beachcomber, with a lively musical number about surfing, sunsets, and bikinis. 14:41 – Graceful hula dancing by Lonnie, set to a melancholy song about lost love and waiting for a lover’s return. 17:07 – Satirical duet by Ed Kenny and Moi about Hawaii becoming the 50th U.S. state, blending humor and pride. 20:33 – Commentary on the natural beauty of Hawaii and the popularity of photographing hula girls; leads into a dance called “Takaroa.” 23:02 – Ed Kenny sings the Hawaiian classic “Sweet Leilani,” a romantic ode to a heavenly flower. 25:37 – Narration about touring Oahu with a guide or map, followed by Mary Jo Flanders' humorous song about her travel misadventures. 28:38 – Reflection on Hawaiian history: children being sent abroad for education, accompanied by traditional music and imagery. 31:25 – A young woman preparing to go to California lists fashionable things she wants upon her return. 32:09 – Romantic duet between Ed Kenny and Lonnie, “The Betrothal Song,” about pledging eternal love. 35:17 – Hani sings “Follow Me,” inviting a lover to explore the beauty and adventure of the islands. 38:23 – “Happy Talk” is performed, encouraging children (and viewers) to keep dreaming and believing in happiness. 41:37 – The show closes with the classic Hawaiian farewell “Aloha Oe,” as Webley Edwards signs off until the next episode. Website: www.PeriscopeFilm.com Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Source: https://www.youtube.com/watch?v=j14LadQGtMc Mirrored from Periscope Film (https://www.youtube.com/@PeriscopeFilm)</description>
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