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        <title>" THE FANTASTIC PLASTIC MACHINE "  1969 SURFING DOCUMENTARY  REEL 2 GG46435b</title>
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        <description>Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com Part 1: https://youtu.be/bOv7kThi4No "The Fantastic Plastic Machine" is a documentary film from 1969 that follows a group of California surfers as they travel to an Australian surfing competition. The film is narrated by Jay North and was directed by Eric and Lowell Blum. The film covers an epic surfing journey through California, Hawaii, Australia, New Zealand, and Fiji. The soundtrack for this film was composed by Harry Betts. 0:08 - 0:27: Introduction with cool trick, setting the stage for competitive surfing. 0:27 - 1:02: Highlights the anticipation of meeting Australian surfers like Nat Young, discussing their reputation through magazine articles. 1:02 - 1:43: Arrival in Sydney, with the team feeling both excitement and apprehension about facing the Australians. 1:43 - 2:41: Encounter with Bob McTavish, who introduces them to Sydney in a humorous, tour-guide fashion, avoiding direct talk about the contest. 2:41 - 3:53: Arrival at the contest site, where McTavish explains his decision not to compete due to the commercial nature of contests, emphasizing his focus on board design and wave riding. 3:53 - 4:23: The American team is shocked by the Australians' board designs, which are shorter with V-shaped bottoms, setting a competitive tone. 4:23 - 5:02: Contrasting the expected hostility with the warm reception by Australians, leading to confusion about previous articles. 5:02 - 6:37: McTavish explains the historical context of Australian surfing's recognition, the controversy, and the current focus on sharing ideas rather than rivalry. 6:37 - 7:10: Brief introduction to the contest's rules and the semi-finalists from both teams. 7:10 - 9:25: The semi-finals are described with commentary on each surfer's performance, highlighting the differences in board use and surfing styles. 9:25 - 10:27: A pivotal moment where Skip Fry loses his board, affecting his performance; however, Mike Purpus and Steve Bigler make it to the finals. 10:27 - 15:52: Finals at Palm Beach with detailed commentary on each surfer's moves, highlighting the innovative surfing techniques of the Australians. 15:52 - 18:36: The tense final decision leading to Ted Spencer's victory, with commentary on the close nature of the competition. 18:36 - 19:02: Post-contest celebration where Ted Spencer gets both official and unofficial prizes. 19:02 - 20:50: McTavish discusses the philosophy behind shorter, more maneuverable boards, crediting George Greenough's innovations. 20:50 - 21:49: The American team leaves Australia with new insights, still curious about Nat Young who didn't compete. 21:49 - 23:56: Nat Young reflects on his journey from contest-driven to a more personal, expressive approach to surfing, emphasizing self-discovery. 23:56 - 26:58: Young discusses the limitations of contests for personal expression in surfing, contrasting with McTavish's focus on board design for performance. 26:58 - 30:03: Introduction to George Greenough, showcasing his unique approach to surfing with a kneeling stance on a custom, flexible board. 30:03 - 36:39: More detailed look at Greenough's scientific approach to board design, his self-education, and his revolutionary surfing techniques, seen as the future of surfing. 36:39 - 38:27: Nat Young concludes with his philosophy on surfing, emphasizing the harmony between the surfer, board, and wave, advocating for an intuitive rather than a thought-driven approach to surfing. This film seems to explore themes of innovation, personal expression, and the evolution of surfing culture, focusing on the transition from competition to personal exploration and board design. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com Source: https://www.youtube.com/watch?v=dF_EYMUSHPQ Mirrored from Periscope Film (https://www.youtube.com/@PeriscopeFilm)</description>
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